Beginning GIMP 466
Ravi writes "Any one who has had the opportunity to manipulate images would be aware of Adobe's Photoshop - considered to be the market leader in image manipulation software. But with its high price tag, buying Photoshop is akin to putting strain on your bank balance. What is interesting is that there is a very popular free alternative to Photoshop in GIMP. For those in the dark, GIMP is a state of the art image manipulation software which runs on multiple architectures and OSes and which is released under the GNU free License (GPL). I have been using GIMP exclusively for touching up images for many years now and it has met all my graphics manipulation needs." Read the rest of Ravi's review
Beginning GIMP - From Novice to Professional | |
author | Akkana Peck |
pages | 550 |
publisher | APress |
rating | 9 |
reviewer | Ravi |
ISBN | 1-59059-587-4 |
summary | A great book to learn Gimp |
Unfortunately, for a beginner who is taking his first baby steps in GIMP, the interface might feel a bit kludgy and he/she might need some hand holding. This is where a book related to Gimp gains prominence. I recently came across this book called "Beginning GIMP - From Novice to Professional" authored by Akkana Peck. Divided into 12 chapters and 6 appendices, this book aims to cover the whole gamut of features found in Gimp.
In the first chapter, the author takes the reader through an in-depth tour of Gimp interface. This chapter introduces various dialogs,windows and configuration options that play an important part while working on ones images in Gimp. Even though I was conversant with most of the features of Gimp, I found this chapter impart a very good understanding of Gimp interface which is imperative for putting this software to productive use.
But it is not enough if one jumps right into editing images. It is important to have a good understanding of the various image formats used, their pros and cons as well as situations where different formats are ideal to use. The second chapter of this book titled "Improving Digital Photos" explains just that. The author further shows the image settings in Gimp which helps one to optimize the image while saving to disk as well as tips which could be very useful for photography buffs such as color correction, viewing the histogram to aid in bringing clarity to an image, rotating the image, fixing red eye and so on.
One of the most useful features of any graphics suite worth its name is its support for Layers. In Gimp, it is possible to save different images in layers. The third chapter of this book deals exclusively in giving an introduction to the concept of Layers and how it can be put to use in Gimp. At the end of the chapter, the author also explains how to create simple Gif animations.
Gimp has a great collection of tools at par with any other graphics suite in the market. These tools form the life line of any graphics artist in aiding his creations. In the subsequent three chapters , the author provides a detailed explanation of all these tools and how they could be put to use. Almost all the tools are covered in these three chapters and the author even provides the steps in creating images using these tools which gives it a practical touch to the whole narration.
In the seventh chapter titled Filters and Effects, one gets to know about the rich set of filters and scripts which are bundled with Gimp. There are hundreds of filters and effects categorized into three sections of Filters, Python-Fu and Script-Fu and most of them are described in this chapter with the aid of relevant examples.
From the 8th chapter onwards, the author turns to explain the more advanced concepts which pertain to graphics editing, knowing which, differentiates an expert from a beginner. Concepts such as color manipulation, compositing, masking and the different layer modes are described in detail with the aid of examples.
One of the biggest advantages a Gimp user has is the capability to create his own scripts in Gimp which allow him to accomplish complex tasks with the click of a button. Gimp scripts and plug-ins can be created using various languages like python, perl or C. But it also has its own scripting language called Script-Fu which also simplifies the process of creating scripts. And not surprisingly, there are hundreds of scripts bundled with the default installation of Gimp which makes it a viable option for creating complex graphical effects with ease. The 11th chapter of this book titled "Plug-ins and Scripting" gives an introduction to creating ones own scripts using different languages including script-fu. But I found this chapter to be more useful for a person who is interested in creating plug-ins than the normal users.
The final chapter of this well illustrated book deals with topics which couldn't fit in any other chapters such as tips on configuring Gimp to use the scanner and printer. There is a section which gives details of various resources found on the web which could be used to further enrich ones knowledge on using Gimp.
All along, the author gives interesting tit-bits on various aspects of image creation and modification which would be eye openers for most people who are getting introduced to the art of graphics manipulation. Reading the book, I was able to get valuable insights into different aspects of image editing such as antialiazing, hinting text and such, which plays an important part in creating good graphics.
In relevant sections, the author has provided important details which are highlighted in a bright vibrant color which makes reading this book a pleasant experience.
Many might wonder why some one would take time and efforts to write a book on Gimp when Adobe's Photoshop is considered the dominant leader in the graphics market. But the truth is Gimp enjoys a wider user base than all the other non-free graphics manipulation products combined as it is bundled by default on all Linux/Unix distributions worth their name. Considering that Gimp has also been ported to Windows and Mac OSX coupled with its hard to beat price (it is a free software released under GPL) and excellent features at par with any other professional graphics suite, this software has become a viable option for any one interested in developing graphics for the Web. And I found this book to contain relevant information which could be invaluable in ones journey into the fascinating world of image manipulation using GIMP.
You can purchase Beginning GIMP - From Novice to Professional from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
Does it have a "healing brush"? (Score:3, Interesting)
Re:Does it have a "healing brush"? (Score:4, Informative)
Re:Does it have a "healing brush"? (Score:3, Insightful)
I started using Photoshop at version 4 LE (came free with a scanner). For the last 5 years I have used Photoshop 90% of t
Re:Does it have a "healing brush"? (Score:3, Informative)
SIOX [siox.org] is pretty cool. Watch the video [siox.org]. It's not in the stable version of GIMP yet though.
Re:Does it have a "healing brush"? (Score:4, Informative)
Yeah, they just don't call it that: Gimp skincare [gimps.de]
Re:Does it have a "healing brush"? (Score:3, Interesting)
Re:Does it have a "healing brush"? (Score:3, Informative)
Re:Does it have a "healing brush"? (Score:3, Informative)
Small Cap text
So install a smallcap font
CMYK
Wrong, GIMP has CMYK color modes, and has for years
adjustment layers
Not needed in the GIMP paradigm: All layers can do that anyway
Pantone
Patented. You're welcome to convince the developers to extend a source license in perpetuity to the GIMP project.
Comments from people who actually create Creative? (Score:5, Insightful)
I've always seen it (rightly or wrongly) as a tool made by programmers for programmers who want to make/modify and image here and there, but I'd like to be shown to be wrong about this.
Re:Comments from people who actually create Creati (Score:5, Informative)
WARNING ON LINK OF PARENT (Score:3, Informative)
http://plasticbugs.com/?page_id=294 [plasticbugs.com]
Re:Comments from people who actually create Creati (Score:3, Informative)
After testing the Windows version (2.1.8) found at plasticbugs.com for a few minutes:
In PS, Ctrl-T while clicking on an object will select that object's layer. In GS, this does not work, exactly as in Gimp. But the Gimp method of PgUp/PgDn to select next/previous layer works.
In PS, while moving, both the outer edges and the center of the object will snap to guides. In GS, only outer
Re:Comments from people who actually create Creati (Score:3, Funny)
No, you get Pigshop!
Re:Comments from people who actually create Creati (Score:3, Insightful)
The truth is your comment is spot on.
Quoting the original posting:
"Beginning GIMP - From Novice to Professional" authored by Akkana Peck. Divided into 12 chapters and 6 appendices, this book aims to cover the whole gamut of features found in Gimp. "
I submit that any software that takes a 12 chapter book before any kind of comparitive prodictivity can be obtained needs more than a glue on interface change. I've never read a book on photoshop, (I don't doubt that they exist
Re:Comments from people who actually create Creati (Score:4, Insightful)
By the same token, don't assume that because The Gimp does something differently than Photoshop that it's a better way. Traditionally in image editors (and not just Photoshop), the brush icon does the bitmap painting and the pen does the vector drawing.
Without claiming that "the Gimp sucks" just because it's unfamiliar, I do think there's PLENTY of room for improvement in its interface (my opinion, based on screenshots and descriptions and admittedly never having used it).
Re:Comments from people who actually create Creati (Score:4, Insightful)
I would love to recommend it as a free tool to my friends that do this sort of work 45 hours a week. But I can't. Not due to any single missing feature but because Artists are not inherently computer-people. It's not just a list manipulators to them, it's a set of tools like pencils or brushes-in-the-hand that they have invested their thinking in. Until GIMP does a great emulation of an existing popular UI it would be a crime to put someone through that painful learning curve to save a couple days wages on a toolset that they don't already "think in."
Re:Comments from people who actually create Creati (Score:5, Insightful)
Honestly... Isn't it time somebody came up with a name for this app which can be spoken out loud in polite society???
Re:Comments from people who actually create Creati (Score:5, Informative)
Sure, such a name already exists: call it the "GNU Image Manipulation Program."
Glad I could help clear that up for you!
Re:Comments from people who actually create Creati (Score:3, Funny)
Thank you Captain Obvious.
One fumble fingered boss filling out a requisition for a "GIMP Suite" and it's all over, baby.
Re:Comments from people who actually create Creati (Score:2)
Re:Comments from people who actually create Creati (Score:2, Informative)
Re:Comments from people who actually create Creati (Score:2)
Re:Comments from people who actually create Creati (Score:3, Interesting)
Re:Comments from people who actually create Creati (Score:4, Interesting)
Really? I tried to create myself a simple test image in GIMP and needed 5 tutorials to do anything. Sure I can do "burn marks" with a single button, but drawing a straight line requires a tutorial [gimp.org]. It may be powerful, but it is so unintuitive, and made me long for MSpaint.
Re:Comments from people who actually create Creati (Score:3, Insightful)
Yes. Yes, with GIMP, I did need a freakin' tutorial. The Shift thing didn't cross my feeble mind, unfortunately. Call me dumb all you want, it simply wasn't obvious. There was absolutely nothing even remotely hinting at the possibility. Stupid little me bravely tried to Just Use the mighty GIMP and was properly punished by the fact it took me months to accidentaly discover that you CAN in fact draw lines in it. Serves
Re:Comments from people who actually create Creati (Score:2)
You can't go into a studio these days without seeing a tablet of some sort that is pressure sensitive, yet Gimp doesn't support this. Even many photography nuts use Wacom tablets to manipulate their works. I have a tablet PC and my comic (Sig) is exclusively digital. You want more, look at my art gallery. I couldn't have drawn any of that crap without pressure sensitivity. I would have sooner
Re:Comments from people who actually create Creati (Score:4, Interesting)
Re:Comments from people who actually create Creati (Score:5, Insightful)
I've used GIMP for some years and on the odd occassion have used it to do professional 2D work. While it is extremely powerful when used with knowledge, the core developers are a guarded and decidedly stubborn bunch with a penchant for ignoring basic feature requests from users that they feel might somehow 'threaten' their political differentiation against Photoshop. Of course they care very little to admit this overtly apparent and often discussed tendency.
As a result we are still stuck with an insane GUI windowing model whereby all palettes, brushes, dialogues, and main toolbar need to be *managed* as separate windows. This makes GIMP a very click-intensive application to use, and this is something that no RSI-fearing designer worth their weight in pixels would want to dance with.
Is it really such a demoralizing design concession that GIMP adopts the 1 parent window, many-child-window model that nearly every graphical application (including 3D modelers) use? Providing a toggleable full screen option (tricky in X I know) and the ability to quickly define which of your child-windows are visible would boost productivity with the GIMP (for most) a great deal (currently GIMP is really only as productive as Photoshop with a dual-screen setup - a luxury not all have). It would also aid those that want to transition from Photoshop - and there are many, believe it or not.
Frankly, although Inkscape is a vector graphics application, it's general interface model is light years ahead and GIMP should really take note. If you haven't tried it, you should. Inkscape is one very sensibly designed graphics application and is an absolute pleasure to use.
Furthermore, GIMP has bizarre and difficult keybinds in place for the most common operations. SHIFT-CTRL-A (note not the easier CTRL-SHIFT-A) to select nothing, and then depending on what window is in focus, it may simply not take at all. There is also counter-productive persistence in the tool-states. Should you have cropped an image with the crop tool and then click somewhere on the image, the crop tool dialogue will pop up again (very likely and annoyingly *on top* of the to-be-cropped area). Why not just go back to a default pointer tool after a tool operation? What are the chances I'm going to want to crop an image twice instead of do something else with it? This persistence leads to all sorts of back-tracking and I for one have never quite got used to it. There are several other gripes but one line more would qualify as a rant.
If I've spoken wrongly about GIMP, or am missing some fundamentals on it's use, please let me know about it.
Gimpshop! (Score:5, Informative)
Re:Gimpshop! (Score:5, Insightful)
I believe you meant to say:
I find it much more like photoshop than plain GIMP
Familiarity and intuitivity are not the same
Re:Gimpshop! (Score:2)
Re:Gimpshop! (Score:3, Informative)
No, no I don't have to consider that. People mistake the ease of use familiarity gives with actual intuitivity. Most gimp complaints are about menu placement, etc (now the right click for everything monstrosity is gone).
Adobe has done some useability research, after all. Have GIMP developers?
yes they have. [relevantive.de]
Re:Gimpshop! (Score:2)
Reading through that site, I think you just proved the argument of the poster before you.
Re:Gimpshop! (Score:2)
I don't use either more than casually, and don't have an opinion either way, but it seems strange that you can believe that people like PS better ONLY if they're used to it as opposed to the GIMP.
Adobe has made PS for a long time and geared it toward professional users. I'd have to believe there's AT LEAST A CHANCE that it's superior to the GIMP in the area of user interface, if not others.
Re:Gimpshop! (Score:2)
Re:Gimpshop! (Score:4, Funny)
Of course, do you think the GIMP devs created the worst UI ever made purely by luck? NO!
Re:Gimpshop! (Score:2)
Familiarity and intuitivity are not the same...
Actually, it is my opinion that photoshop is more learnable than GIMP. There is always a learning curve moving tools, but GIMP breaks a number of UI design rules (not that photoshop doesn't) and is more than a little kludgy. GIMP could improve their learn-ability and usability for current photoshop users by adopting a more similar interface or they could do so by building a different, but more usable interface. In either case I think the money Adobe spent on
Re:Gimpshop! (Score:3, Interesting)
It's not that it breaks design rules - it's that the GIMP team have a different set of design rules they use. I like theirs better.
Gimp's interface is crap (Score:2)
Gimpshop does a lot to improve things but it can only do so much.
Re:Gimpshop! (Score:2)
I haven't used Photoshop much, since I use Linux at home, so it's not a familiarity issue for me. It's just that Gimp is completely, 100% unituitive. I've self-taught myself dozens of other programs, and Gimp is by far the hardest for me to understand.
Re:Gimpshop! (Score:4, Insightful)
Re:Gimpshop! (Score:4, Interesting)
Which means... it's actually not "for the community," but for the developers who actually give it birth... since they're always going to be intimately familiar with it, and don't have to scratch their heads about an inscrutible UI. Making it for the user community would mean making their UI needs an important part of the effort - which isn't the case with the GIMP.
Re:Gimpshop! (Score:2)
I like the GIMP since it's free(aka an arm and a leg cheaper than PS) and there's the karma boost from using OSS. I can also get it to do pretty much whatever I want it to do. However, using the interface is like pulling teeth compared to using Photoshop.
Re:Gimpshop! (Score:2, Informative)
Re:Gimpshop! (Score:2)
Re:Gimpshop! (Score:2)
Re:Gimpshop! (Score:2)
And to think that people say it's not intuitive.
Re:Gimpshop! (Score:2)
Paintbrush, line, circle, other shapes, all there.
Re:Gimpshop! (Score:2)
Re:Gimpshop! (Score:2)
Cow-orker is wrong. I can't remember off the top of my head how to do it, but it's easy (if you know how). Might involve creating a path and selecting a stroke, or holding a meta key while choosing a tool. Somehow I uninstalled Gimp in an orgy of recompiling, so I can't tell you exactly now, but yeah, it does lines just fine, and circles too!
Re:Gimpshop! (Score:2)
Evidence for my assertion in my other post.
Re:Gimpshop! (Score:2)
What's a tit-bit? (Score:3, Funny)
Re:What's a tit-bit? (Score:5, Funny)
Zed: Bring out the Gimp.
Maynard: But the Gimp's not installed.
Zed: Well, I guess you're gonna have to go compile it, won't you?
(a few minutes later)
Marsellus: What now? Well let me tell you what now. I'm gonna call a couple layer-usin' designers, who'll go to work on the source image here with a pair of plugins and a tit-bit.
Re:What's a tit-bit? (Score:2)
Re:What's a tit-bit? (Score:2)
Re:What's a tit-bit? (Score:2)
Save tons of cash (Score:3, Informative)
This is why I don't use GIMP (Score:2, Insightful)
Photoshop has a really great interface. When I want to get work done I could care less if there is an "open source" alternative. I want the best tool for the job that's the easiest/quickest route to completeing that job. Not the tool that best suites my techno ideology.
Something the open source community needs to understand.
Re:This is why I don't use GIMP (Score:2)
...where "great" is defined as "acts like Photoshop". It's downright weird by any other standard.
Re:This is why I don't use GIMP (Score:2, Informative)
Re:This is why I don't use GIMP (Score:3, Insightful)
I'd also prefer the better tool over the one that provides socialistic warmth and fuziness... but doesn't that mean you couldn't care less, rather than could?
And on the flip side... (Score:2)
Something the people who pay $500 for a graphics editing program need to understand.
Unless you really think it will take $500 worth of your time to learn the be
Re:This is why I don't use GIMP (Score:2)
Most CEOs use the best text editors there are. The best text editor enter over 200wpm per minute using voice recognition, corrects your spelling and grammar, can enter a good template matching your intentions then fill it in according to general guidelines, has good legs and firm breasts and makes you coffee or gives blowjob when you ask.
Similar with gfx, if you want the job done easiest, quickest and best, hire a pro
Re:This is why I don't use GIMP (Score:2)
Personally, I want the one I don't have to pay for. Yes, I'm very selfish. Disgusting, isn't it?
Re:I have an honest question. (Score:3, Informative)
Re:I have an honest question. (Score:2)
Photoshop Elements (Score:5, Insightful)
Sometimes you can get a good discount with bundles for scanners or cameras or printers, too.
I figure the GIMP isn't the only player in the "low end" space. Of course if you are dedicated to free/OSS, you can feel free to ignore PE.
Re:Photoshop Elements (Score:2)
First Krita post (Score:4, Informative)
It's not perfect, and not quite yet a complete replacement for The GIMP, but it's close enough that I've started testing it on a regular basis. If you simply can't wrap your brain around GIMP, then it's probably worth your time to check out Krita.
Re:First Krita post (Score:3, Funny)
No, I meant hari kari. I'm American, you sensitive clod!
The More Books The Better (Score:2)
GIMPshop (Score:2, Informative)
Oh, for crying out loud... (Score:4, Insightful)
But please don't pretend it's anything like a Photoshop competitor. It doesn't even compete with low-end professional tools like Corel Photopaint. Far from being "at a par with any other graphics suite in the market", for print work GIMP is no more "state of the art" than MS Paintbrush is. It can't even do trivial, bottom-of-the-range, entry-level stuff like simply working with CMYK images (no, the Seperate plugin is not a solution, or even the beginnings of a solution).
Let's not deceive ourselves here. GIMP is a great amateur tool for anyone whose needs begin and end with websites and cheap inkjet printers. But show me a professional who uses it, and I'll show you a professional who someone else has to clean up after before his work is any use to anyone.
Re:Oh, for crying out loud... (Score:2, Interesting)
GIMP is good for making web images. But it does not address the mechanics of making real world images.
Re:Oh, for crying out loud... (Score:4, Interesting)
I've been using Photoshop since version 2.3, when I actually bought a full blown copy. I recently upgraded to CS2. Still the leader of the pack. Upgrading was only about $100, so it didn't break the bank. I have one copy at work (company pays for that) and one at home - mine. And the big reason for Photoshop - compatibility with my scanners - which GIMP isn't.
I also managed to finally get a full blown copy of Acrobat, using a student discount. (Even as a working professional, I still have a current student ID at a local college). With the correct plug-in, I set up 9 hour runs from my case tool thru Acrobat. This by automating the process, including Photoshop and Acrobat. Let's see GIMP do that.
excellent in tandem (Score:2)
Re:excellent in tandem (Score:2)
It's missing too many basic features (Score:2, Insightful)
Gimp, The (Score:2)
This is well understood and no problem per se. However, 4 years ago interfaces were far more chaotic than today. But GIMP remains.
My hope is that Krita continues to make progress. It looks good and is easy and powerful to use.
The advantage of
still waiting for GEGL and/or 48bpp support (Score:3, Insightful)
The good, the bad... (Score:2)
Buying Photoshop (Score:5, Interesting)
Which leaves me asking if this could be one of the most warezed applications ever. Photoshop is a must have for a lot of teenagers nowadays and since no one gives a shit about Photoshop Elements, I wonder how many actually buy it. Sure, I bought my own copy but even I started out with a cracked version because I simply couldn't afford it. Adobe knows it: it is better for them to let pirates copy their software rather than funding competitors like Paint Shop Pro and Gimp, which ultimately results in more competition. They might even turn out to buy Photoshop in the end when they can actually afford it - like I did.
The price of Photoshop is so steep that most people who get it don't even know if they want to use it as a serious tool or not. When I first got it, I only manipulated a few images. When I discovered that I had skills, I purchased the copy. Before that, if there was no pirated version whatsoever, I would NEVER consider buying Photoshop simply because it would seem like buying something I don't have enough time to evaluate.
All in all, Photoshop requires a year of evaluation. Amusing but true
Re:Buying Photoshop (Score:2)
Fund Gimp? heh.
Seriously though, Adobe has historically been pretty cool with Gimp. I used to hear about people asking Adobe to create a Linux version of Photoshop. Most companies give a bullshit answer like, "we're evaluating the marketplace and have not committed one way or the other", but Adobe would actually tell people to use GIMP. As a software consumer, I appreciate that sort of di
Comparison Pricing: (Score:3, Insightful)
Beginning Gimp (book) - $40
Photoshop Elements 4.0 (software) - $80
Note that Photoshop Elements includes a printed manual with tutorials, and extensive help files. Gimp does not.
Re:Comparison Pricing: (Score:3, Informative)
Another book: Grokking the GIMP (Score:2)
http://gimp-savvy.com/BOOK/ [gimp-savvy.com]
I found it to be very good indeed. It perhaps isn't an absolute beginners book. I learnt a huge amount about making better selections and adjusting colors. These tips would probably work just as well in Ph*toshop but I've never tried it!
It looks like it is now available online too so you can see if you like it first!
Not Allowed! (Score:2)
this is a great book! (Score:3, Informative)
One thing not mentioned in the review is how badly the open source community needed an updated gimp book. Gimp is already a mature open source project, and two books that came out a few years ago were long outdated.
The best thing about the book is the generous use of images to illustrate her points.. A Press did a fantastic job with layout and making it easy to find things.
I appreciate how the book reviewed a few basic points with general information. In short, this book has a little bit for everybody.
Where the Gimp really does excel. (Score:5, Insightful)
Just to point out a few things that make the Gimp great for your average user with a digital camera.
1) Most consumer digital cameras, including mine, use RGB color space and usually JPEG as storage. The Gimp does RGB so you can edit your photos. You are not creating original art for commercial printing as much as a derivative work based on your photos, as such my wife doesn't need CMYK.
2) The Gimp, in its attempt to lure creative types, has features that PS elements will not have for fear of poaching on full Photoshop teritory.
3) The Gimp is free. Let me just stress this. I am a student. My wife enjoys digital photo manipulation and digital scrapbooking. The Gimp meets all of our needs. My wife also is somewhat of a Gimp evangelist now on some of the digital scrapbooking forums where PS elements reigns supreme. I don't know how many converts she has, but she has received inquiries and is very outspoken on the economic advantages of a free program that gets the job done well.
That said, there are a few "rich ladies" (my wife's term) on the message boards who have the full Photoshop and expensive DSLR cameras. Some produce, by my wife's admission, spectacular photos and pages, but some others produce the highest resolution garbage you've ever seen. Often money cannot buy results.
I am very happy with the Gimp. It provides a creative outlet for my wife and doesn't break the bank. For editing your personal digital photo collection, I and my wife think it is a first rate piece of software.
Re:Where the Gimp really does excel. (Score:3, Insightful)
You cannot turn a crap photographer into a good one by giving them fantastic tools. Ken Rockwell puts it quite nicely and I shan't waste my time further essentially repeating him: http://www.kenrockwell.com/tech/notcamera.htm [kenrockwell.com]
Contrariwise, a good photographer who is used to the fantastic tools (ie. photoshop) may well find the Gimp limiting.
For those of us in the middle of the s
What's wrong with the interface? (Score:3, Insightful)
Re:BUYING Photoshop? (Score:4, Insightful)
and I'm pretty sure Adobe enjoy this situation as well, as the ease with which people can get cracked copies of photoshop means fewer people are tempted to use The GIMP or other cheaper alternatives to PS.
Re:BUYING Photoshop? (Score:2)
Of course if you "roll your own"...
Waiting till harddrives in shops come with windows preinstalled, cheaper than the blank ones.
Re:BUYING Photoshop? (Score:2)
Re:BUYING Photoshop? (Score:2)
Re:But what about the hand? (Score:3, Informative)
Re:Experience. (Score:2)
It seems that people who started on GIMP tend to love GIMP and hate Photoshop (or at least have a general dislike for it)
I started out using neither, but tried using both programs in the mid 90s. I still use both for different tasks, but I prefer the UI of photoshop (which is mediocre) to that of GIMP (which is poor). I'd really like to see a completely different interface than either of them, but as a user of both and as a person who has done more than superficial study in the area of user interface des
This question always gets asked (Score:3, Informative)
Re:This question always gets asked (Score:3, Informative)