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Literary Law Guide for Authors 85

Logic Bomb writes "Everyone's favorite way to begin a post on Slashdot is 'IANAL, but...' Having said that a few times myself, when I saw this book I figured it might be nice to get at least a little formal information on what the heck I was writing about. Literary Law Guide for Authors was not quite what I was looking for, but it was extremely informative." Read on for Logic Bomb's review.
Literary Law Guide for Authors: Copyright, Trademark, and Contracts in Plain Language
author Tonya Marie Evans and Susan Borden Evans
pages 190
publisher FYOS Entertainment
rating Excellent
reviewer Logic Bomb
ISBN 0967457963
summary A practical guide to copyright and trademark law

The content of the book really is as the title claims. It is a practical explanation of legal concepts, written by practicing lawyers. It is not a theoretical exploration, it is not a detailed history, and it is most definitely not criticism. The primary audience is writers who want a good understanding of the law before getting involved with the publishing industry or attempting to self-publish. The writing itself is beautifully concise and precise. Given the topic, there are passages that require long lists of examples and distinctions to maintain accuracy. If you have never encountered thorough legal writing before, it can be a bit daunting.

Literary Law Guide begins by explaining copyright in great depth. In this book, that only means 10 pages. But the table of contents for that section alone lists the following:

  • Protecting Ideas
  • When Copyright Ownership Begins
  • Showing the World That You Own Your Work
  • What a Copyright Owner Has the Right to Do
  • Scope of Copyright Protection
  • The Elements of Copyrightable Works
  • Copyright Registration
  • How to Investigate the Copyright Status of a Work
  • Where to Search for Information about Registered Copyrights
  • Transfer of Copyright
  • Reclaiming Your Copyright After Transfer
Further sections consider fair use, work for hire, copyright infringement (an important topic for Slashdot), and the complications of registering copyright for online works. The latter section even lists the rules for what portions of source code must be submitted to register copyright on software.

That's only the first half of the book's text. Trademark gets the next 30 pages. Once again the authors provide thorough explanations of concepts and actual legal procedures. The final section is on contracts. Given the book's nature, it's really about publishing contracts for writers, but the information is still useful.

The book includes a CD with a handful of Copyright and Trademark Office forms in PDF and Word files of sample publishing contracts. These materials are also printed over 90 pages in the book itself. With the exception of the contracts, this is fairly superfluous. The forms are all readily available online.

Overall, Literary Law Guide has value for several segments of the Slashdot readership. Programmers, especially those working independently, can gain invaluable information on the available means for protecting or profiting from their work. Those interested in Free content (not just software) can better understand issues surrounding licensing and the public domain. Everyone who reads the book will have a better understanding of the issues we spend so much time discussing.

Perhaps because it is targeted towards the world of traditional writing, Literary Law Guide may leave a Slashdot reader unsatisfied at the coverage of digital-age issues. However, I think the fault for that really lies with a legal structure that is, as we all know, far behind the times. A book on the law can only cover what law there is. As the authors put it, in what may be the greatest understatement on this issue I've seen:

In light of this twenty-first century reality, some scholars believe that the law lags far behind in closing the gap between yesterday's statutes and tomorrow's technology.

The final recommendation: if you want to know more about copyright and trademark than you'll easily discover using Google, this book is for you.


You can purchase Literary Law Guide for Authors: Copyright, Trademark, and Contracts in Plain Language from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.

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Literary Law Guide for Authors

Comments Filter:
  • by SPYvSPY ( 166790 ) on Friday October 24, 2003 @01:49PM (#7302269) Homepage
    ...read the same books that law students read in law school. Stop looking for shortcuts; there aren't any. Reading slashdot is insanely frustrating for me because the level of ignorance about the law is appalling. It is not that hard to pick up a respectable law review (those are journals of legal analysis--available in libraries and (no kidding!) online) and read an article about the topic you are interested in. Slashdot people are reasonably intelligent, and can learn things like new programming languages. I don't see why you can't decypher the law--which is pretty straightforward in most cases. Stop treating the newspaper, this website (and pretty all other websites with a very few exceptions) as your gospel for legal issues.

    There is so much disinformation and FUD about the law online that you are doing yourself a disservice if you don't educate yourself from the sources that truly understand the law. Go get a law school curriculum and buy a few of the books. Read them. It's not that hard. Stop looking for shortcuts.
  • The fundamental problem is that to defend your rights, you need money. It doesn't matter what the law is.

    I was recently in a situation where I was slapped with a cease and desist order for something which was perfectly within my legal rights. I could cite extensive case law demonstrating that I was within my rights, and that I was not infringing on anyone else's rights.

    But in the end, it came down to the fact that I was being slapped by a company with money, and I can't afford the lawyers. There's not money in it for the lawyers, so they won't do it on a contingent basis. It's much, much too small a case for an organization like the EFF.

    So I end up being screwed. The simple fact is that law is irrelevant if you can't afford the lawyers to enforce it.

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