According to the Globe Gazette, the school board of Mason City, Iowa has begun leveraging AI technology to cultivate lists of potentially bannable books from the district's libraries ahead of the 2023/24 school year. Engadget reports: In May, the Republican-controlled state legislature passed, and Governor Kim Reynolds subsequently signed, Senate File 496 (SF 496), which enacted sweeping changes to the state's education curriculum. Specifically it limits what books can be made available in school libraries and classrooms, requiring titles to be "age appropriateâ and without "descriptions or visual depictions of a sex act," per Iowa Code 702.17. But ensuring that every book in the district's archives adhere to these new rules is quickly turning into a mammoth undertaking. "Our classroom and school libraries have vast collections, consisting of texts purchased, donated, and found," Bridgette Exman, assistant superintendent of curriculum and instruction at Mason City Community School District, said in a statement. "It is simply not feasible to read every book and filter for these new requirements."

As such, the Mason City School District is bringing in AI to parse suspect texts for banned ideas and descriptions since there are simply too many titles for human reviewers to cover on their own. Per the district, a "master list" is first cobbled together from "several sources" based on whether there were previous complaints of sexual content. Books from that list are then scanned by "AI software" -- the district doesn't specify which systems will be employed -- which tells the state censors whether or not there actually is a depiction of sex in the book. So far, the AI has flagged 19 books for removal. [The full list is available here.]

An anonymous reader quotes a report from Reuters: The Internet Archive and a group of leading book publishers told a Manhattan federal court on Friday that they have resolved aspects of their legal battle over the Archive's digital lending of their scanned books. If accepted, the consent judgment would settle questions over potential money damages in the case and the scope of a ban on the Archive's lending and would clear the way for the Archive to appeal U.S. District Judge John Koeltl's decision that it infringed the publishers' copyrights.

The proposed order would require the Archive to pay Lagardere SCA's Hachette Book Group, News Corp's HarperCollins Publishers, John Wiley & Sons and Bertelsmann SE & Co's Penguin Random House an undisclosed amount of money if it loses its appeal. The order would also permanently block the Archive from lending out copies of the publishers' books without permission, pending the result of the appeal. They asked Koeltl to resolve a dispute over whether the order will apply only to the publishers' books that are already available for electronic licensing or books commercially available in any format.

The Internet Archive said in a blog post that the fight was "far from over," and founder Brewster Kahle said in a statement that "we must have strong libraries, which is why we are appealing this decision." Maria Pallante, the CEO of the Association of American Publishers, said in a statement that the plaintiffs were "extremely pleased" with the proposed injunction, which will "extend not only to the Plaintiffs' 127 works in suit but also to thousands of other literary works in their catalogs."

In the unfortunate event that Amazon cancels Good Omens, a British fantasy comedy series created by Neil Gaiman, the New York Times bestselling author says a novel would be written to continue where the show left off. For those unaware, Good Omens recently launched season two on Amazon Prime and follows various characters all trying to either encourage or prevent an imminent Armageddon, seen through the eyes of the angel Aziraphale and the demon Crowley. According to Gizmodo's Linda Codega, it "ends on an absolutely devastating cliffhanger. Emotionally speaking." From the report: Neil Gaiman, the co-author of Good Omens (the book) alongside Terry Pratchett and the lead writer on Good Omens (the show), has always been active on Tumblr. Naturally, people have been asking him about that ending -- mostly because Good Omens, for all the hype, hasn't yet been renewed for a third season, and I will reiterate, the ending of season two is heart-wrenching. Gaiman had a lovely answer for one fan [poohbear0915] who asked: "In the unfortunate event that Good Omens is not renewed for a season three, would you consider releasing a script book of what would have happened for the fans to read?" Neil Gaiman responded: "No, I'd write a novel."

Shoddy guidebooks, promoted with deceptive reviews, have flooded Amazon in recent months. Their authors claim to be renowned travel writers.

But do they even exist?

The New York Times: The books are the result of a swirling mix of modern tools: A.I. apps that can produce text and fake portraits; websites with a seemingly endless array of stock photos and graphics; self-publishing platforms -- like Amazon's Kindle Direct Publishing -- with few guardrails against the use of A.I.; and the ability to solicit, purchase and post phony online reviews, which runs counter to Amazon's policies and may soon face increased regulation from the Federal Trade Commission. The use of these tools in tandem has allowed the books to rise near the top of Amazon search results and sometimes garner Amazon endorsements such as "#1 Travel Guide on Alaska." A recent Amazon search for the phrase "Paris Travel Guide 2023," for example, yielded dozens of guides with that exact title. One, whose author is listed as Stuart Hartley, boasts, ungrammatically, that it is "Everything you Need to Know Before Plan a Trip to Paris."

The book itself has no further information about the author or publisher. It also has no photographs or maps, though many of its competitors have art and photography easily traceable to stock-photo sites. More than 10 other guidebooks attributed to Stuart Hartley have appeared on Amazon in recent months that rely on the same cookie-cutter design and use similar promotional language. The Times also found similar books on a much broader range of topics, including cooking, programming, gardening, business, crafts, medicine, religion and mathematics, as well as self-help books and novels, among many other categories. Amazon declined to answer a series of detailed questions about the books.

Amazon removed several books believed to be written using AI and listed under a real author's name. Decrypt reports: When professor Jane Friedman complained about books that she didn't write being attributed to her on Monday, ecommerce giant Amazon initially said that it would not remove them. But after she took her case to Twitter, earning the backing of the Authors Guild, Amazon relented early this morning. Friedman -- a non-fiction writer, journalist, and educator -- said Amazon had refused to remove the books even though they appeared to trade on her name and reputation as an author who has published how-to guides for other writers.

The "garbage books," which Friedman says were probably churned out using generative AI, had the titles "Your Guide to Writing a Bestseller eBook on Amazon," "Publishing Power: Navigating Amazon's Kindle Direct Publishing," and "Promote to Prosper: Strategies to Skyrocket Your eBook Sales on Amazon." When Friedman acknowledged that she could not prove that she owned the trademark on her own name, she said Amazon said it would leave the book up and for sale. But that stance changed late Monday night when the books began disappearing from Amazon's website, and after the Authors Guild offered to step in on Friedman's behalf.

"We have clear content guidelines governing which books can be listed for sale and promptly investigate any book when a concern is raised," Amazon spokesperson Ashley Vanicek told Decrypt by email. "We welcome author feedback and work directly with authors to address any issues they raise and where we have made an error, we correct it." Other authors responding to Friedman's tweet said the same thing had happened to them, and in some cases, the publisher of the fraudulent books did more than just use their names. [...] On Tuesday, Friedman again took to Twitter to confirm that the fraudulent works were removed from Amazon. She remained concerned, however, that other writers like Hayes -- who do not have the large audience that she does -- would not be able to raise such a "big red flag."

An anonymous reader quotes a report from the New York Times: Rex Heuermann, the meticulous architectural consultant who the authorities say murdered three women and buried them on a Long Island beach more than a decade ago, may have been among the last of the dying breed of American serial killers. Even as serial killers came to inhabit a central place in the nation's imagination -- inspiring hit movies, television shows, books, podcasts and more -- their actual number was dwindling dramatically. There were once hundreds at large, and a spike in the 1970s and '80s terrified the country. Now only a handful at most are known to be active, researchers say. The techniques that led to the arrest of Mr. Heuermann, who has pleaded not guilty to the crimes, help explain the waning of serial killing, which the F.B.I. defines as the same person killing two or more victims in separate events at different times.

It is harder to hide. Rapid advances in investigative technology, video and other digital surveillance tools, as well as the ability to analyze mountains of information, quickly allow the authorities to find killers who before would have gone undetected. At the same time, Americans have adopted more cautious habits in their everyday lives -- hitchhiking, for example, is less common, and children are driven to and from school. That reduces easy targets. And, some theorize, those bent on killing now opt for spectacular mass murders. "The 'perfect crime' concept is more of a concept than it ever has been before," said Adam Scott Wandt, an assistant professor at John Jay College of Criminal Justice. More than a decade ago, prosecutors said, Mr. Heuermann tried to cover his digital tracks by communicating with victims using so-called burner phones, prepaid units purchased anonymously for temporary use. But thanks to exponential progress in technology since 2010, investigators were able not only to chart Mr. Heuermann's decade-old movements; they could also monitor exactly what he was searching online in recent months. They saw that he was using an anonymous account for internet queries like "Why could law enforcement not trace the calls made by the long island serial killer," prosecutors said. He had also been visiting massage parlors and contacting women working as escorts, they said.

The ubiquity of technology has made it harder to get away with murder, Mr. Wandt said. The amount of data people create in their daily lives is more than many can conceptualize, he said. Just by walking outside, people are now tracked by ever-present cameras, from Amazon's Ring units outside homes to surveillance at banks and retail stores, he said. Every use of a phone or computer creates streams of data that are collected directly on devices or immortalized on servers, he said. A concerted effort by the federal government to ensure that even the smallest police departments can use technology to their benefit has also helped give investigators an upper hand, Mr. Wandt said. In 1987, there were 198 known active serial killers -- people connected to at least two murders -- and 404 known victims across the United States, according to a report published three years ago by researchers who run Radford University and Florida Gulf Coast University's Serial Killer Database. By 2018, there were only 12 known serial killers and 44 victims, according to the report. "The big question is: Are they going underground and finding other techniques?â said Terence Leary, an associate professor in the psychology department at Florida Gulf Coast University and the team leader for the database.

He said that some serial murderers have killed for discrete periods before taking prolonged breaks: "Maybe they decided to give it up. Who knows?"

Paramount said on Monday it had reached a deal to sell Simon and Schuster, one of the biggest and most prestigious publishing houses in the United States, to the private-equity firm KKR, in a major changing of the guard in the books business. From a report: The deal, for $1.62 billion, will put control of the cultural touchstone behind authors like Stephen King and Bob Woodward in the hands of a financial buyer with an expanding presence in the publishing industry. While private equity investors have had a significant footprint in the book business --different firms have owned literary agencies, publishing houses and the retailer Barnes & Noble -- the acquisition of one of the largest publishers in the country vastly increases the hold of financial interests in the business.

[...] Since Simon & Schuster was first put up for sale in 2020, many in the publishing industry have fretted over where the company might land. A sale to another publisher would mean the new management would understand the book business. But it would also mean further consolidation in the industry, with potentially fewer players available to bid on big books, and the chance of layoffs as redundant jobs were eliminated. It could also raise regulatory scrutiny: Paramount's first attempt to sell Simon & Schuster, to Penguin Random House in 2020, was derailed by government antitrust concerns.

A Dungeons & Dragons expansion book included AI-generated artwork. Fans on Twitter spotted it before the book was even released (noting, among other things, a wolf with human feet). An embarrassed representative for Wizards of the Coast then tweeted out an announcement about new guidelines stating explicitly that "artists must refrain from using AI art generation as part of their creation process for developing D&D art." GeekWire reports: The artist in question, Ilya Shkipin, is a California-based painter, illustrator, and operator of an NFT marketplace, who has worked on projects for Renton, Wash.-based Wizards of the Coast since 2014. Shkipin took to Twitter himself on Friday, and acknowledged in several now-deleted tweets that he'd used AI tools to "polish" several original illustrations and concept sketches. As of Saturday morning, Shkipin had taken down his original tweets and announced that the illustrations for Glory of the Giants are "going to be reworked..."

While the physical book won't be out until August 15, the e-book is available now from Wizards' D&D Beyond digital storefront.
Wizards of the Coast emphasized this won't happen again. About this particular incident, they noted "We have worked with this artist since 2014 and he's put years of work into books we all love. While we weren't aware of the artist's choice to use AI in the creation process for these commissioned pieces, we have discussed with him, and he will not use AI for Wizards' work moving forward."

GeekWire adds that the latest D&D video game, Baldur's Gate 3, "went into its full launch period on Tuesday. Based on metrics such as its player population on Steam, BG3 has been an immediate success, with a high of over 709,000 people playing it concurrently on Saturday afternoon."

Recently science author Sam Kean reviewed In a Flight of Starlings, a "slender, uneven collection of essays by Giorgio Parisi about his life in physics, from his student days in Rome to the work that won him a share of the 2021 Nobel Prize in physics."

But the reviewer makes an interesting point: As someone who writes about science history, I have long grumbled about how misleading modern scientific papers are. I understand the need to present scientific findings in a clean, concise way, but the papers also omit all the false starts, blind alleys, broken equipment, and dumb mistakes that beset real scientific research every day. By omitting all the human stuff, the papers fail to explain how science really gets done. Parisi raises a related complaint — that scientific papers omit all sense of intuition. Indeed, the best sections of the book explore the role of intuition in scientific thinking.

He quotes a friend who says that "a good mathematician understands immediately which mathematical statements are true and which are false, whereas a bad mathematician has to try to prove them in order to know." The same applies to science: the early stages of any project are chaotic, and the data can be confusing and even contradictory. Scientists need intuition to cut through the mess and focus on the most promising explanations. Much of this intuition is unconscious and, while still grounded in physical brain processes, remains murky and hard to reconstruct. And for whatever reason, that vagueness makes scientists uncomfortable. "In almost all texts written by scientists," Parisi notes, "these themes are taboo."

So it's refreshing to see a scientist, especially one of Parisi's stature, honestly discuss the fuzzy side of scientific thinking, and not just during the early, groping stages but in the technical phases of a project, too. "The physicist sometimes uses mathematics ungrammatically," he admits, "a license that we grant to poets" as well... In a Flight of Starlings, Parisi writes, "is my attempt to convey to a wide readership something of the beauty, importance, and cultural value of modern science." Does he succeed? At times, yes... Perhaps it's not unlike the hodgepodge of science itself, then...

Cory Doctorow, author, digital rights advocate, and co-editor of the blog Boing Boing, has launched a Kickstarter campaign for his next book, called The Internet Con: How To Seize the Means of Computation. "The book presents an array of policy solutions aimed at dismantling the monopolistic power of Big Tech, making the internet a more open and user-focused space," writes Boing Boing's Mark Frauenfelder. "Key among these solutions is the concept of interoperability, which would allow users to take their apps, data, and content with them when they decide to leave a service, thus reducing the power of tech platforms." From Cory's Medium article announcing the Kickstarter: I won't sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became "five giant websites filled with screenshots of the other four" (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.

The Internet Con isn't just an analysis of where enshittification comes from: it's a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.

By 1983 there were a whopping 2,000 pieces of software for Apple's pre-Macintosh computer, the Apple II — more than for any other machine in the world. It turns out this left a trail for one historian to understand The Apple II Age: How the Computer Became Personal.

The new book (by New York University academic Laine Nooney) argues that it was the first purchasers of that software who are the true overlooked pioneers during the seven years before the Macintosh. And (as this reviewer explains, with quotes from the book), collectively they form the most compelling story about the history of Apple: It's about all those brave and curious people, the users, who came "Not to hack, but to play... Not to program, but to print..." And you can trace their activities in perfect detail through the decades-old software programs they left behind. It's a fresh and original approach to the history of technology. Yes, the Apple II competed with Commodore's PET 2001 and Tandy's TRS-80... [But] this trove of programs uniquely offers "a glimpse of what users did with their personal computers, or perhaps more tellingly, what users hoped their computers might do."

Looking back in time, Nooney calls the period "one of unusually industrious and experimental software production, as mom-and-pop development houses cast about trying to create software that could satisfy the question, 'What is a computer even good for...?'" The book's jacket promises "a constellation of software creation stories," with each chapter revisiting an especially iconic program that also represents an entire category of software...

[T]he book ultimately focuses more heavily on the lessons that can be learned from what programmers envisioned for these strange new devices — and how the software-buying public did (or didn't) respond... The earliest emergence of personal computing in America was "a wondrous mangle," Nooney writes, saying it turned into an era where "overnight entrepreneurs hastily constructed a consumer computing supply chain where one had never previously existed."
Vice republished an excerpt in May which describes the "roiling debate" that took place over copy protection in 1981.

The New York Times points out that so-called "shadow libraries," like Library Genesis, Z-Library or Bibliotik, "are obscure repositories storing millions of titles, in many cases without permission — and are often used as A.I. training data." A.I. companies have acknowledged in research papers that they rely on shadow libraries. OpenAI's GPT-1 was trained on BookCorpus, which has over 7,000 unpublished titles scraped from the self-publishing platform Smashwords. To train GPT-3, OpenAI said that about 16 percent of the data it used came from two "internet-based books corpora" that it called "Books1" and "Books2." According to a lawsuit by the comedian Sarah Silverman and two other authors against OpenAI, Books2 is most likely a "flagrantly illegal" shadow library.

These sites have been under scrutiny for some time. The Authors Guild, which organized the authors' open letter to tech executives, cited studies in 2016 and 2017 that suggested text piracy depressed legitimate book sales by as much as 14 percent.

Efforts to shut down these sites have floundered. Last year, the F.B.I., with help from the Authors Guild, charged two people accused of running Z-Library with copyright infringement, fraud and money laundering. But afterward, some of these sites were moved to the dark web and torrent sites, making it harder to trace them. And because many of these sites are run outside the United States and anonymously, actually punishing the operators is a tall task.

Tech companies are becoming more tight-lipped about the data used to train their systems.

sciencehabit shares a report from Science: This week, the much anticipated movie Oppenheimer hits theaters, giving famed filmmaker Christopher Nolan's take on the theoretical physicist who during World War II led the Manhattan Project to develop the first atomic bomb. J. Robert Oppenheimer, who died in 1967, is known as a charismatic leader, eloquent public intellectual, and Red Scare victim who in 1954 lost his security clearance in part because of his earlier associations with suspected Communists. To learn about Oppenheimer the scientist, Science spoke with David C. Cassidy, a physicist and historian emeritus at Hofstra University. Cassidy has authored or edited 10 books, including J. Robert Oppenheimer and the American Century. How did Oppenheimer compare to Einstein? Did he actually make any substantiative contributions to THE Bomb? And why did he eventually lose his security clearance?

Artificial intelligence companies are exploring a new avenue to obtain the massive amounts of data needed to develop powerful generative models: creating the information from scratch. From a report: Microsoft, OpenAI and Cohere are among the groups testing the use of so-called synthetic data -- computer-generated information to train their AI systems known as large language models (LLMs) -- as they reach the limits of human-made data that can further improve the cutting-edge technology. The launch of Microsoft-backed OpenAI's ChatGPT last November has led to a flood of products rolled out publicly this year by companies including Google and Anthropic, which can produce plausible text, images or code in response to simple prompts.

The technology, known as generative AI, has driven a surge of investor and consumer interest, with the world's biggest technology companies including Google, Microsoft and Meta racing to dominate the space. Currently, LLMs that power chatbots such as OpenAI's ChatGPT and Google's Bard are trained primarily by scraping the internet. Data used to train these systems includes digitised books, news articles, blogs, search queries, Twitter and Reddit posts, YouTube videos and Flickr images, among other content. Humans are then used to provide feedback and fill gaps in the information in a process known as reinforcement learning by human feedback (RLHF). But as generative AI software becomes more sophisticated, even deep-pocketed AI companies are running out of easily accessible and high-quality data to train on. Meanwhile, they are under fire from regulators, artists and media organisations around the world over the volume and provenance of personal data consumed by the technology.

The Register shares its collection of "signs that Wayland is becoming the favored way to get a GUI on Linux." - The team developing Linux for Apple Silicon Macs said they didn't have the manpower to work on X.org support.

- A year ago, the developers of the Gtk toolkit used by many Linux apps and desktops said that the next version may drop support for X11...

- One of the developers of the Budgie desktop, Campbell Jones, recently published a blog post with a wildly controversial title that made The Reg FOSS desk smile: "Wayland is pretty good, actually." He lays out various benefits that Wayland brings to developers, and concludes: "Primarily, what I've learned is that Wayland is actually really well-designed. The writing is on the wall for X, and Wayland really is the future." Partly as a result of this, it looks likely that the next version of the Budgie desktop, Budgie 11, will only support Wayland, completely dropping support for X11. The team point out that this is not such a radical proposition: there was a proposal to make KDE 6 sessions default to Wayland as long ago as last October...

- The GNOME spin of Fedora has defaulted to Wayland since version 25 in 2017, and the GNOME flavor of Ubuntu since 21.04.

- [T]here's now an experimental effort to get Wayland working on OpenBSD. The effort happened at the recent OpenBSD hackathon in Tallinn, Estonia, and the developer's comments are encouraging. It's already available as part of FreeBSD.

The Internet Archive has taken the rather unusual step of sending a DMCA notice to protect the copyrights of book publishers and authors. The non-profit organization asked GitHub to remove a tool that can strip DRM from books in its library. The protective move is likely motivated by the ongoing legal troubles between the Archive and book publishers. TorrentFreak reports: The Internet Archive sent a takedown request to GitHub, requesting the developer platform to remove a tool that circumvents industry-standard technical protection mechanisms for digital libraries. This "DeGouRou" software effectively allows patrons to save DRM-free copies of the books they borrow. "This DMCA complaint is about a tool made available on github which purports to circumvent technical protections in violation of the copyright act section 1201," the notice reads. "I am reporting a Git which provides a tool specifically used to circumvent industry standard library TPMs which are used by Internet Archive, and other libraries, to permit patrons to borrow an encrypted book, read the encrypted book, and return an encrypted book."

Interestingly, an IA representative states that they are "not authorized by the copyright owners" to submit this takedown notice. Instead, IA is acting on its duty to prevent the unauthorized downloading of copyright-protected books. It's quite unusual to see a party sending takedown notices without permission from the actual rightsholders. However, given the copyright liabilities IA faces, it makes sense that the organization is doing what it can to prevent more legal trouble. Permission or not, GitHub honored the takedown request. It removed all the DeGourou repositories that were flagged and took the code offline. [...] After GitHub removed the code, it soon popped up elsewhere.

Popular Science describes how NASA's Volatiles Investigating Polar Exploration Rover (VIPER) will use a pair of ramps to become the first rover to explore the Moon's south pole when it arrives in late 2024. From the report: "We all know how to work with ramps, and we just need to optimize it for the environment we're going to be in," says NASA's VIPER program manager Daniel Andrews. A VIPER test vehicle recently descended down a pair of metal ramps at NASA's Ames Research Center in California, as seen in the agency's recently published photos, with one beam for each set of the rover's wheels. Because the terrain where VIPER will land -- the edge of the massive Nobile Crater -- is expected to be rough, the engineering team has been testing VIPER's ability to descend the ramps at extreme angles. They have altered the steepness, as measured from the lander VIPER will descend from, and differences in elevation between the ramp for each wheel. "We have two ramps, not just for the left and right wheels, but a ramp set that goes out the back too," Andrews says. "So we actually get our pick of the litter, which one looks most safe and best to navigate as we're at that moment where we have to roll off the lander."

VIPER is a scientific successor to NASA's Lunar Crater Observation and Sensing Satellite, or LCROSS mission, which in 2009 confirmed the presence of water ice on the lunar south pole. "It completely rewrote the books on the moon with respect to water," says Andrews, who also worked on the LCROSS mission. "That really started the moon rush, commercially, and by state actors like NASA and other space agencies." The ice, if abundant, could be mined to create rocket propellant. It could also provide water for other purposes at long-term lunar habitats, which NASA plans to construct in the late 2020s as part of the Artemis moon program.

But LCROSS only confirmed that ice was definitely present in a single crater at the moon's south pole. VIPER, a mobile rover, will probe the distribution of water ice in greater detail. Drilling beneath the lunar surface is one task. Another is to move into steep, permanently shadowed regions -- entering craters that, due to their sharp geometry, and the low angle of the sun at the lunar poles, have not seen sunlight in billions of years. The tests demonstrate the rover can navigate a 15-degree slope with ease -- enough to explore these hidden dark spots, avoiding the need to make a machine designed for trickier descents. "We think there's plenty of scientifically relevant opportunities, without having to make a superheroic rover that can do crazy things," Andrews says.

Developed by NASA Ames and Pittsburgh-based company Astrobotic, VIPER is a square golf-cart-sized vehicle about 5 feet long and wide, and about 8 feet high. Unlike all of NASA's Mars rovers, VIPER has four wheels, not six. "A problem with six wheels is it creates kind of the equivalent of a track, and so you're forced to drive in a certain way," Andrews says. VIPER's four wheels are entirely independent from each other. Not only can they roll in any direction, they can be turned out, using the rover's shoulder-like joints to crawl out of the soft regolith of the kind scientists believe exists in permanently shadowed moon craters. The wheels themselves are very similar to those on the Mars rovers, but with more paddle-like treads, known as grousers, to carry the robot through fluffy regolith. [...] Together with Astrobotic, Andrews and his team have altered the ramps, and they now include specialized etchings down their lengths. The rover can detect this pattern along the rampway, using cameras in its wheel wells. "By just looking down there," the robot knows where it is, he says. "That's a new touch." Andrews is sure VIPER will be ready for deployment in 2024, however many tweaks are necessary. After all, this method is less complicated than a sky crane, he notes: "Ramps are pretty tried and true."

Comedian Sarah Silverman and two authors have filed copyright infringement lawsuits against Meta and OpenAI for allegedly using their content without permission to train artificial intelligence language models. From a report: The proposed class action lawsuits filed by Silverman, Richard Kadrey and Christopher Golden in San Francisco federal court Friday allege Facebook parent company Meta and ChatGPT maker OpenAI used copyrighted material to train chat bots. The lawsuits underscore the legal risks developers of chat bots face when using troves of copyrighted material to create apps that deliver realistic responses to user prompts. Silverman, Kadrey and Golden allege Meta and OpenAI used their books without authorization to develop their so-called large language models, which their makers pitch as powerful tools for automating tasks by replicating human conversation. In their lawsuit against Meta, the plaintiffs allege that leaked information about the company's artificial intelligence business shows their work was used without permission.

Slashdot reader j3x0n shared this report from California newspaper the Sacramento Bee: In 2015, Democratic Elk Grove Assemblyman Jim Cooper voted for Senate Bill 34, which restricted law enforcement from sharing automated license plate reader (ALPR) data with out-of-state authorities. In 2023, now-Sacramento County Sheriff Cooper appears to be doing just that. The Electronic Frontier Foundation (EFF) a digital rights group, has sent Cooper a letter requesting that the Sacramento County Sheriff's Office cease sharing ALPR data with out-of-state agencies that could use it to prosecute someone for seeking an abortion.

According to documents that the Sheriff's Office provided EFF through a public records request, it has shared license plate reader data with law enforcement agencies in states that have passed laws banning abortion, including Alabama, Oklahoma and Texas. Adam Schwartz, EFF senior staff attorney, called automated license plate readers "a growing threat to everyone's privacy ... that are out there by the thousands in California..." Schwartz said that a sheriff in Texas, Idaho or any other state with an abortion ban on the books could use that data to track people's movements around California, knowing where they live, where they work and where they seek reproductive medical care, including abortions.

The Sacramento County Sheriff's Office isn't the only one sharing that data; in May, EFF released a report showing that 71 law enforcement agencies in 22 California counties — including Sacramento County — were sharing such data... [Schwartz] said that he was not aware of any cases where ALPR data was used to prosecute someone for getting an abortion, but added, "We think we shouldn't have to wait until the inevitable happens."
In May the EFF noted that the state of Idaho "has enacted a law that makes helping a pregnant minor get an abortion in another state punishable by two to five years in prison."

Lamborghini's combustion engine models are sold out until the end of production, its chief executive was quoted as saying in the WELT newspaper on Wednesday, as the luxury carmaker transitions towards a pure hybrid lineup. From a report: Order books for its Hurucan and Urus models are full, marking the end of combustion engine vehicle production for the company, Stephan Winkelmann, head of the Volkswagen subsidiary, said. Lamborghini announced last July it would be investing at least 1.8 billion euros ($2 billion) to produce a hybrid lineup by 2024 and more to bring out its fully electric model by the end of the decade.