Editor's note: the story has been moved up on the front page due its popularity.
The show remains true to its low-budget roots, relying almost exclusively on models and practical effects, including a very inventive new door sequence. The backstory for the new season is very swiftly established in the opening to Experiment 1101, as Jonah Heston (played by co-producer Jonah Ray) is abducted by the evil mad scientist Kinga Forrester (Felicia Day) and her sidekick Max a/k/a TV's son of TV's Frank (Patton Oswalt). Together with Gypsy (Rebecca Hanson), Tom Servo (Baron Vaughn), and Crow (Hampton Yount), Jonah quips his way through a barrage of bad movies, including Reptilicus, Starcrash, The Loves of Hercules, and The Christmas That Almost Wasn't.
In 2008 MST3K's original creator Joel Hodgson answered questions from Slashdot's readers, and said he was fascinated by the popularity of Creative Commons licenses. "For most of the public domain titles that we've used, it's a matter of the garbage not being taken out. Basically, they forgot to apply for a copyright so it in fact lapsed into the public domain."
1. The big screen. There's something to be said about watching visual storytelling on a three-story screen, particularly when the film really takes advantage of the format.
2. People everywhere. A group of people laughing together simultaneously triggers a feeling that you should laugh, too; during a suspenseful moment, you can feel dozens of strangers suck in their breath together.
3. Focus. Even people who try their hardest to give a movie their undivided attention on a living-room screen have fallen victim to temptations like "Well, I'm just sitting here, I might as well pay the electric bill."
4. Relentlessness. Part of the advantage of that kind of focus is that movies that are tense, scary, or deeply emotional can cast much more of a spell over you when you don't have the option to pause or turn away from the worst, then rewind later to catch it safely out of context.
5. A massive speaker system.
7. Disruption. A problem with watching movies at home is that it makes the film-watching experience blur into the same experience as surfing cable channels, running a Netflix comedy show in the background while you do dishes, or half-assedly watching an Adventure Time marathon while stoned.
8. Alone time. Going to the movies with friends or your significant other can be a cherished pastime, especially when you're surrounded by an excited audience.
9. 32 ounces of cola in the dark.
10. Bragging rights.
"It's getting more and more difficult to make a living as a writer," said John Bowman, a TV writer-producer, and former head of the WGA negotiating committee. Studios are equally dug in as more customers cut the cable cord in favor of streaming options. They're also grappling with a dramatic fall-off in once-lucrative DVD sales and a flattening of attendance at the multiplex. They are releasing fewer titles a year, meaning fewer opportunities for screenwriters... Complicating matters is a lack of transparency. Streaming services operate on subscription models and don't release viewer data, making it difficult to devise a formula for residuals (fees for reruns).
Amazon is a member of the studio alliance, while Netflix "is expected to sign on to an eventual contract." (Though streaming also seems to be hurting the popularity of reruns, which is also reducing the residuals writers receive.) But underscoring the impact of online media, Slashdot reader JustAnotherOldGuy asks, "with all the alternative content available, does anyone care...? Would the writer's strike have any serious impact on your life?"