Scifi author/tech activist Cory Doctorow has decried the "enshittification" of our technologies to extract more profit. But Saturday he also described what could be "the beginning of the end for enshittification" in a new article for the Guardian — "our chance to make tech good again". There is only one reason the world isn't bursting with wildly profitable products and projects that disenshittify the US's defective products: its (former) trading partners were bullied into passing an "anti-circumvention" law that bans the kind of reverse-engineering that is the necessary prelude to modifying an existing product to make it work better for its users (at the expense of its manufacturer)...

Post-Brexit, the UK is uniquely able to seize this moment. Unlike our European cousins, we needn't wait for the copyright directive to be repealed before we can strike article 6 off our own law books and thereby salvage something good out of Brexit... Until we repeal the anti-circumvention law, we can't reverse-engineer the US's cloud software, whether it's a database, a word processor or a tractor, in order to swap out proprietary, American code for robust, open, auditable alternatives that will safeguard our digital sovereignty. The same goes for any technology tethered to servers operated by any government that might have interests adverse to ours — say, the solar inverters and batteries we buy from China.

This is the state of play at the dawn of 2026. The digital rights movement has two powerful potential coalition partners in the fight to reclaim the right of people to change how their devices work, to claw back privacy and a fair deal from tech: investors and national security hawks. Admittedly, the door is only open a crack, but it's been locked tight since the turn of the century. When it comes to a better technology future, "open a crack" is the most exciting proposition I've heard in decades.
Thanks to Slashdot reader Bruce66423 for sharing the article.

Google and Character.AI have agreed to settle multiple lawsuits from families alleging the chatbot encouraged self-harm and suicide among teens. "The settlements would mark the first resolutions in the wave of lawsuits against tech companies whose AI chatbots encouraged teens to hurt or kill themselves," notes Axios. From the report: Families allege that Character.AI's chatbot encouraged their children to cut their arms, suggested murdering their parents, wrote sexually explicit messages and did not discourage suicide, per lawsuits and congressional testimony. "Parties have agreed to a mediated settlement in principle to resolve all claims between them in the above-referenced matter," one document filed in U.S. District Court for the Middle District of Florida reads.

The documents do not contain any specific monetary amounts for the settlements. Pricy settlements could deter companies from continuing to offer chatbot products to kids. But without new laws on the books, don't expect major changes across the industry. Last October, Character.AI said it would bar people under 18 from using its chatbots, in a sweeping move to address concerns over child safety.

Book publisher HarperCollins said it will start translating romance novels under its famous Harlequin label in France using AI, reducing or eliminating the pay for the team of human contract translators who previously did this work. 404Media: Publisher's Weekly broke the news in English after French outlets reported on the story in December. According to a joint statement from French Association of Literary Translators (ATFL) and En Chair et en Os (In Flesh and Bone) -- an anti-AI activist group of French translators -- HarperCollins France has been contacting its translators to tell them they're being replaced with machines in 2026.

The ATFL/ En Chair et en Os statement explained that HarperCollins France would use a third party company called Fluent Planet to run Harlequin romance novels through a machine translation system. The books would then be checked for errors and finalized by a team of freelancers. The ATFL and En Chair et en Os called on writers, book workers, and readers to refuse this machine translated future. They begged people to "reaffirm our unconditional commitment to human texts, created by human beings, in dignified working conditions."

A survey of 2,000 teachers, students and parents conducted by the New York Times found that many high schools have stopped assigning full novels to students, opting instead for excerpts that are often read on school-issued laptops rather than in print. The shift stems from multiple factors: a belief that students have shorter attention spans, pressure to prepare students for standardized tests, and the influence of Common Core standards adopted by many U.S. states more than a decade ago.

Schools increasingly rely on curriculum products like StudySync, which takes an anthology approach to literature rather than requiring complete books. Teachers acknowledge that teens now read far fewer full novels than previous generations, though some educators push back against the trend. "Many teachers are secret revolutionaries and still assign whole books," said Heather McGuire, a New Mexico English teacher who responded to the survey.

2025'S final months finally saw the publication of J.R.R. Tolkein's The Bovadium Fragments, writes the Los Angeles Review of Books: Anyone who has read Tolkien's letters will know that he is at his funniest when filled with rage, and The Bovadium Fragments is a work brimming with Tolkien's fury — specifically, ire over mankind's obsession with motor vehicles. Tolkien's anger is expressed through a playful satire told from the perspective of a group of future archaeologists who are studying the titular fragments, which tell of a civilization that asphyxiated itself on its own exhaust fumes. Tolkien's fictional fragments use the language of ancient myth, reframing modern issues like traffic congestion and parking with a grandeur that highlights their total absurdity. It is Tolkien at his angriest and funniest, making The Bovadium Fragments a minor treasure in his ever-growing catalog...

As Tolkien put it in one of his private letters, "the spirit of 'Isengard,' if not of Mordor, is of course always cropping up. The present design of destroying Oxford in order to accommodate motor-cars is a case." Readers of The Lord of the Rings (1954-55) will recognize the allusion. In the author's magnum opus, Isengard is a kind of industrial hell, endlessly feeding its furnaces with felled trees... The Bovadium Fragments brings Tolkien's visceral hatred of such machines to the fore for the first time — on the same level as Isengard or the scoured Shire. In Tolkien's story, the words "Motores" and "monsters" are interchangeable. And with his grand, mythic register, Tolkien defamiliarizes the car enough for modern readers to see it as he does — as truly monstrous. "[T]he Motores continued to bring forth an ever larger progeny," Tolkien writes. "[M]any of the citizens harboured the monsters, feeding them with the costly oils and essences which they required, and building houses for them in their gardens...."

One suspects that Tolkien would have preferred to see Oxford return to the era of the donkey cart. That kind of nostalgia is familiar in Tolkien's work — the idea that we developed just a little too far, skipping past an Eden we failed to recognize a generation or two ago. (For Tolkien, the paragon of paradise seems to have been a rural village around the time of Queen Victoria's Diamond Jubilee.) But he also knows that mankind's impulse to develop is something we cannot help. And the inevitable blowback we get from our hubris is something we cannot avoid. That defeatist attitude is suggested in the frame narrative to The Bovadium Fragments, in which the archaeologists smugly declare their superiority to the extinct citizens of old Oxford. "We at any rate are not likely to fall into such folly," one of them says.

In their more enlightened future, we are told, they only pursue the more benign science of longevity. Their wish is that one day they shall "at last conquer mortality, and not 'die like animals.'" But humans are animals, Tolkien argues. And in stretching beyond that, we may find progress and modern conveniences like motorcars. But perhaps we also pave a road to Isengard. And we may not recognize that destination until it is too late — until we are trapped within its walls, suffocating on our own exhaust fumes.

The International Publishers Association spent the past year promoting the slogan "Democracy depends on reading," but Atlantic senior editor Adam Kirsch argues that this utilitarian pitch fundamentally misunderstands why people become readers in the first place.

The most recent Survey of Public Participation in the Arts found that less than half of Americans read a single book in 2022, and only 38% read a novel or short story. A University of Florida and University College London study found daily reading for pleasure fell 3% annually from 2003 to 2023. Among 13-year-olds, just 14% read for fun almost every day in 2023, down from 27% a decade earlier.

Kirsch says to stop treating reading as civic medicine. "It would be better to describe reading not as a public duty but as a private pleasure, sometimes even a vice," he writes. When literature was considered transgressive, moralists couldn't stop people from buying dangerous books. Now that books are deemed virtuous, nobody picks them up. He points to Don Quixote and Madame Bovary -- novels whose protagonists are ruined by their reading habits. Great writers, he notes, never idealized literature the way educators do. The pitch to young readers should emphasize staying up late reading under the covers by flashlight, hoping nobody finds out.

As the calendar flips to January 1, 2026, thousands of copyrighted works from 1930 are entering the US public domain alongside sound recordings from 1925, making them free to copy, share, remix and build upon without permission or licensing fees. The literary haul includes William Faulkner's As I Lay Dying, Dashiell Hammett's full novel The Maltese Falcon, Agatha Christie's first Miss Marple mystery The Murder at the Vicarage, and the first four Nancy Drew books. The popular illustrated version of The Little Engine That Could also joins the commons. Betty Boop makes her public domain debut through her first appearance in the Fleischer Studios cartoon Dizzy Dishes.

The original iteration of Disney's Pluto -- then named Rover -- enters as well. Nine additional Mickey Mouse cartoons and ten Silly Symphonies from 1930 are now available for reuse. Films entering the public domain include the Academy Award-winning All Quiet on the Western Front, the Marx Brothers' Animal Crackers, and John Wayne's first leading role in The Big Trail. Musical compositions going public include George and Ira Gershwin's "I Got Rhythm," Hoagy Carmichael's "Georgia on My Mind," and "Dream a Little Dream of Me."

Sound recordings from 1925 now available include Bessie Smith and Louis Armstrong's "The St. Louis Blues" and Marian Anderson's "Nobody Knows the Trouble I've Seen." Piet Mondrian's Composition with Red, Blue, and Yellow rounds out the artistic entries.

NASA is closing its largest research library at the Goddard Space Flight Center amid budget cuts and campus consolidation, putting tens of thousands of largely non-digitized historical and scientific documents at risk of being warehoused or discarded. The New York Times reports: Jacob Richmond, a NASA spokesman, said the agency would review the library holdings over the next 60 days and some material would be stored in a government warehouse while the rest would be tossed away. "This process is an established method that is used by federal agencies to properly dispose of federally owned property," Mr. Richmond said.

The shutdown of the library at NASA's Goddard Space Flight Center in Greenbelt, Md., is part of a larger reorganization under the Trump administration that includes the closure of 13 buildings and more than 100 science and engineering laboratories on the 1,270-acre campus by March 2026. "This is a consolidation not a closure," said NASA spokeswoman Bethany Stevens. The changes were part of a long-planned reorganization that began before the Trump administration took office, she said. She said that shutting down the facilities would save $10 million a year and avoid another $63.8 million in deferred maintenance.

Goddard is the nation's premiere spaceflight complex. Its website calls it "the largest organization of scientists, engineers, and technologists who build spacecraft, instruments, and new technology to study Earth, the Sun, our solar system, and the universe." [...] The library closure on Friday follows the shutdown of seven other NASA libraries around the country since 2022, and included three libraries this year. As of next week, only three -- at the Glenn Research Center in Cleveland, the Ames Research Center in Mountain View, Calif., and the Jet Propulsion Laboratory in Pasadena, Calif. -- will remain open.

Another year wraps up, and with it comes the annual ritual of taking stock. What were the movies, TV shows and books from this year that stood out to you? Not necessarily the ones that dominated conversation or topped charts, but the ones you found yourself recommending to friends, or returning to for a second watch or read.

Share your picks and, if you're inclined, a line or two on what made them stick.

Starting in July 2026, every public school district in California will be required to have policies on the books that restrict or prohibit students from using smartphones during the school day, thanks to Assembly Bill 3216 that Governor Gavin Newsom signed into law back in 2024.

The legislation also mandates that districts update these policies every five years. Newsom had previously signed related legislation in 2019, though that earlier law merely affirmed that school districts have the authority to regulate smartphone use rather than requiring them to do so.

In a year when print book sales have slipped 1% to 679 million copies through early December, according to Circana BookScan, audiobooks continue to carve out territory that once belonged exclusively to hardcovers, and in several notable cases this year, the audio versions have outright outsold their physical counterparts.

S.A. Cosby's southern crime novel "King of Ashes" moved more copies as an audiobook than as a hardcover, according to publisher Macmillan Audio. The same is true for celebrity memoirs from Jeremy Renner, Alyson Stoner, and Brooke Shields -- all narrated by the authors themselves. Karin Slaughter's thriller "We Are All Guilty Here" and comedian Nate Bargatze's "Big Dumb Eyes" also saw their audio editions outpace hardcover sales.

Digital audiobook revenue jumped nearly 24% in 2024 to $1.1 billion, per the Association of American Publishers, though growth has cooled to 1% through October this year, bringing in nearly $888 million. The format's strength has professional narrators watching AI developments nervously. Emily Lawrence, who has narrated more than 600 audiobooks, said there's "a lot of water cooler talk about people who haven't had work in months." Hachette Audio publisher Ana Maria Allessi said voice-cloning technology is becoming more sophisticated and could change how authors approach narration.

A group of authors led by John Carreyrou has filed a new lawsuit against Anthropic, Google, OpenAI, Meta, xAI, and Perplexity, accusing the AI firms of training models on pirated copies of their books. TechCrunch reports: If this sounds familiar, it's because another set of authors already filed a class action suit against Anthropic for these same acts of copyright infringement. In that case, the judge ruled that it was legal for Anthropic and similar AI companies to train on pirated copies of books, but that it was not legal to pirate the books in the first place.

While eligible writers can receive about $3,000 from the $1.5 billion Anthropic settlement, some authors were dissatisfied with that resolution -- it doesn't hold AI companies accountable for the actual act of using stolen books to train their models, which generate billions of dollars in revenue. The plaintiffs in the new lawsuit say the proposed Anthropic settlement "seems to serve [the AI companies], not creators."

"LLM companies should not be able to so easily extinguish thousands upon thousands of high-value claims at bargain-basement rates, eliding what should be the true cost of their massive willful infringement."

In the late 1980s, Merriam-Webster's Collegiate Dictionary sat on the New York Times best-seller list for 155 consecutive weeks and eventually sold 57 million copies, a figure believed to be second only to the Bible in the United States -- but those days are thoroughly gone. Stefan Fatsis's new book "Unabridged: The Thrill of (and Threat to) the Modern Dictionary" chronicles what Louis Menand describes in The New Yorker as "a losing struggle" for legacy dictionaries to survive in the internet age.

The profession has been decimated: an estimated 200 full-time lexicographers worked in the US 25 years ago, and Fatsis believes that number is "probably closer to thirty" today. "By the time I finished this book," Fatsis writes, "it wasn't clear how long flesh-bone-and-blood lexicographers would be needed to chronicle the march of the English language."

Merriam-Webster is now owned by Encycloaedia Britannica, another print-era giant that stopped publishing physical volumes in 2012. The company's free website draws about a billion page views annually, but the content has shifted dramatically -- word games, trending slang and ads dominate rather than lexicographic depth. The scale of the challenge facing dictionaries is staggering. One study of digitized library books found the English lexicon grew from about 600,000 words in 1950 to over a million by 2000, and concluded that 52% of English words in printed books are "lexical dark matter" that appears in no standard reference work.

A group of activists has scraped Spotify's entire library, accessing 256 million rows of track metadata and 86 million audio files totaling roughly 300TB of data. The metadata has been released via Anna's Archive, a search engine for "shadow libraries" that previously focused on books.

Spotify described the activists as "anti-copyright extremists who've previously pirated content from YouTube and other platforms" and confirmed it is actively investigating the incident. The activists claim this represents "the world's first 'preservation archive' for music which is fully open" and covers "around 99.6% of listens."

They appear to have used Spotify's public web API to scrape the metadata and circumvented DRM to access audio files. Spotify insists that this is not a security breach affecting user data. Though the more pressing concern for the music industry may be AI training rather than pirate streaming services -- similar YouTube datasets have reportedly been used by unlicensed generative AI music services.

The Association for Computing Machinery, the world's largest society of computing professionals, announced that all publications and related artifacts in the ACM Digital Library will become freely available to everyone starting January 2026. Authors will retain full copyright to their published work under the new arrangement, and ACM has committed to defending those works against copyright and integrity-related violations.

The transition follows what ACM described as extensive dialogue with authors, Special Interest Group leaders, editorial boards, libraries, and research institutions globally. Students, educators, and researchers at institutions of all sizes -- from well-resourced universities to emerging research communities -- will gain unrestricted access to the full catalog of ACM-published work. The Digital Library houses decades of computing research across journals, magazines, conference proceedings, and books.